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ƒ^ƒCƒgƒ‹

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Šé‰æ^‘Il^ƒeƒLƒXƒg‚È‚Ç

”õl

1983

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“Œ‹žƒZƒ“ƒgƒ‰ƒ‹”üpŠÙ

(R¸ˆõ) ’r“c–žŽõ•v@¬ì³—²@‰Í–k—Ï–¾@‹v•Û’原˜Y@£–ØTˆê@‰iˆäˆê³@‰¬Œ´‰p—Y@•l“c’m–¾@‹gŒ´‰p—Y

1985

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1985

e85”ʼnæ[Šú‘Ò‚ÌVlì‰Æ] ‘åÜ“W

RYU INTERNATIONAL GALLERY

(R¸ˆõ)@Š£—R–¾

1987

‘æ17‰ñƒŠƒ…ƒuƒŠƒAƒi‘۔ʼnæƒrƒGƒ“ƒi[ƒŒ

ƒŠƒ…ƒuƒŠƒAƒi‘۔ʼnæƒZƒ“ƒ^[

(R¸ˆõ)

Walter KOSCHATZKY (ƒI[ƒXƒgƒŠƒA)

Enriko CRISPOLTI    (ƒCƒ^ƒŠƒA)

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Angel KALENBERG  iƒEƒ‹ƒOƒAƒCj

Zoran KRZISNIK     (ƒ†[ƒSƒXƒ‰ƒrƒA)

Pierre RESTANY      (ƒtƒ‰ƒ“ƒX)

Ryazard STANISLAWSKI  iƒ|[ƒ‰ƒ“ƒhj

1988

—ÕŠEŒ|pE88”N‚̈ʑŠ“W

‘º¼‰æ˜L

iŠé‰æEƒeƒLƒXƒgj’JV

݌ɂ ‚è

1989

ƒAƒ‹ƒJƒfƒBƒAƒw‚̃Xƒeƒbƒv

ƒMƒƒƒ‰ƒŠ[ƒ¿M

iŠé‰æEƒeƒLƒXƒgj’JV

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1989

’mŠo‚Ì—h“®EƒMƒƒƒ‰ƒŠ[‚Ȃ‚©b.pŠJ˜L‹L”O“W

ƒMƒƒƒ‰ƒŠ[‚Ȃ‚©

iƒeƒLƒXƒgj

‘OŽR—SŽi@FŒÂ“WƒJƒ^ƒƒO

݌ɂ ‚è

1990

THE EIGHTIESE80”N‘ã‚Ì”üp

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i‘Ilj’JV@ç—t¬•v@³–ØŠî@¬—тЂƂÝ

iƒeƒLƒXƒgj’JV

1900

Šé‰æ“WNo.3@ ”ò–Î@‚’ÔüŠG

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iƒeƒLƒXƒgj

ŽsŒ´Œ¤‘¾˜YFƒCƒ[ƒW‚Æ•¨Ž¿

݌ɂ ‚è

1900

PRESENT TO THE FUTURE

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iƒeƒLƒXƒgj‰–“cƒˆê@

݌ɂ ‚è

1991

ƒRƒYƒ~ƒbƒNEƒAƒC

¬ŽR—˜Ž}Žq{‚’ÔüŠG

Gallery ARIES

(Šé‰æEƒeƒLƒXƒg)@

’JVFŽÀ݉»‚³‚ê‚悤‚Æ‚·‚éŠá‚Ì”wŒã‚Ì•—Œi

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1991

ƒUEƒTƒCƒŒƒ“ƒgEƒpƒbƒVƒ‡ƒ“

“ú–{‚Ì—«ƒA[ƒeƒBƒXƒg

“È–ØŒ§—§”üpŠÙ

(Šé‰æEƒeƒLƒXƒg)@

ŽR–{˜aOF•‚—V‚·‚é_˜b

1992

‘æ3‰ñ“Œ‹žƒA[ƒgƒGƒLƒXƒ|1992

“Œ‹žƒA[ƒgƒGƒLƒXƒ|‰^‰cˆÏˆõ‰ï

ƒRƒoƒ„ƒV‰æ˜Lƒu[ƒX“à

1992

‚’ÔüŠG“W

ƒRƒoƒ„ƒV‰æ˜L

݌ɂ ‚è

2000

Daejeon Media Art 2000

Daejeon Municipal Museum of  Art

(ƒLƒ…ƒŒƒ^[) Bank Jung-goo

݌ɂ ‚è

2003

KIAF 2003

KlAF

ƒMƒƒƒ‰ƒŠ[21+—tƒu[ƒX“à

2003

Œp‘±‚·‚éˆÓŽu\Vol.2

ƒMƒƒƒ‰ƒŠ[21+—t

(ƒeƒLƒXƒg)

‹ß“¡K•vFŒÂ“WƒJƒ^ƒƒO

2004

KIAF (“ú–{“Á•Ê“W)

KlAF

i‘Ilj–{]–M•v@ŽO“c°•v@Œš”©“N

2005

”Mü•ˆE2005

ƒMƒƒƒ‰ƒŠ[‚Ȃ‚©

ŒÂ“WƒJƒ^ƒƒO



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Š§s•¨

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1986

ƒGƒ‹EƒWƒƒƒ|ƒ“

ARTƒR[ƒi[@@

LOST VISION ŒÂ“WЉî

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1986

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1988

“ú–{ŒoÏV•·ŽÐ

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1988

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1988

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pia news network

ŽO”N‚Ô‚è‚Ì—ÕŠEŒ|p“W‚ÍŒ´‰“IƒCƒ[ƒW‚ª‘䓪

•ÒW•” : ‘Š‡

1989

New Art Examiner, Summer

New Art Examiner,Summer

Janet Koplos

1989

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Image •@Process@

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1990,1,3

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—ÑÂŽj

1990

Art in America,Dec. 

Review

Janet Koplos

1991,8,6

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