—ª—ð^history ì•i^works ¬•i^other works
•¶Œ£^data ƒRƒƒ“ƒg^comment ‚¨’m‚点^information





Q‚’ÔüŠG  •¶Œ£

yƒJƒ^ƒƒOz@‡•s“¯@ŒhÌ—ª

”­s”N

ƒ^ƒCƒgƒ‹

”­sŒ³

Šé‰æ^‘Il^ƒeƒLƒXƒg‚È‚Ç

”õl

1983

e83”ʼnæ‘åÜ“W

“Œ‹žƒZƒ“ƒgƒ‰ƒ‹”üpŠÙ

(R¸ˆõ) ’r“c–žŽõ•v@¬ì³—²@‰Í–k—Ï–¾@‹v•Û’原˜Y@£–ؐTˆê@‰iˆäˆê³@‰¬Œ´‰p—Y@•l“c’m–¾@‹gŒ´‰p—Y

1985

‘æ17‰ñŒ»‘ã“ú–{”üp“W

“ú–{‘Û”üpU‹»‹¦‰ï

–ˆ“úV•·ŽÐ@

iR¸ˆõjŠâè‹gˆê@‰A—¢“S˜Y@‰Ã–åˆÀ—Y

‰Í–k—Ï–¾@Ö“¡‹`d@‚ŽR’C—Y@’†Œ´—C‰î@‰iˆäˆê³@•½–ìdŒõ@–x“à³˜a@–{ŠÔ³‹`@ŽO–Ø‘½•·@ŽRŒûŸO

1985

e85”ʼnæ[Šú‘҂̐Vlì‰Æ] ‘åÜ“W

RYU INTERNATIONAL GALLERY

(R¸ˆõ)@Š£—R–¾

1987

‘æ17‰ñƒŠƒ…ƒuƒŠƒAƒi‘Û”ʼnæƒrƒGƒ“ƒi[ƒŒ

ƒŠƒ…ƒuƒŠƒAƒi‘Û”ʼnæƒZƒ“ƒ^[

(R¸ˆõ)

Walter KOSCHATZKY (ƒI[ƒXƒgƒŠƒA)

Enriko CRISPOLTI    (ƒCƒ^ƒŠƒA)

j¶ˆê˜Y@@@@@@@i“ú–{j

Angel KALENBERG  iƒEƒ‹ƒOƒAƒCj

Zoran KRZISNIK     (ƒ†[ƒSƒXƒ‰ƒrƒA)

Pierre RESTANY      (ƒtƒ‰ƒ“ƒX)

Ryazard STANISLAWSKI  iƒ|[ƒ‰ƒ“ƒhj

1988

—ÕŠEŒ|pE88”N‚̈ʑŠ“W

‘º¼‰æ˜L

iŠé‰æEƒeƒLƒXƒgj’JV

ÝŒÉ‚ ‚è

1989

ƒAƒ‹ƒJƒfƒBƒAƒw‚̃Xƒeƒbƒv

ƒMƒƒƒ‰ƒŠ[ƒ¿M

iŠé‰æEƒeƒLƒXƒgj’JV

ÝŒÉ‚ ‚è

1989

’mŠo‚Ì—h“®EƒMƒƒƒ‰ƒŠ[‚Ȃ‚©b.pŠJ˜L‹L”O“W

ƒMƒƒƒ‰ƒŠ[‚Ȃ‚©

iƒeƒLƒXƒgj

‘OŽR—SŽi@FŒÂ“WƒJƒ^ƒƒO

ÝŒÉ‚ ‚è

1990

THE EIGHTIESE80”N‘ã‚Ì”üp

ƒRƒoƒ„ƒV‰æ˜L

i‘Ilj’JV@ç—t¬•v@³–ØŠî@¬—тЂƂÝ

iƒeƒLƒXƒgj’JV

1900

Šé‰æ“WNo.3@ ”ò–΁@‚’ÔüŠG

×Œ©‰æ˜L

iƒeƒLƒXƒgj

ŽsŒ´Œ¤‘¾˜YFƒCƒ[ƒW‚Æ•¨Ž¿

ÝŒÉ‚ ‚è

1900

PRESENT TO THE FUTURE

ƒnƒCƒlƒPƒ“ƒrƒŒƒbƒW

iƒeƒLƒXƒgj‰–“cƒˆê@

ÝŒÉ‚ ‚è

1991

ƒRƒYƒ~ƒbƒNEƒAƒC

¬ŽR—˜Ž}Žq{‚’ÔüŠG

Gallery ARIES

(Šé‰æEƒeƒLƒXƒg)@

’JVFŽÀÝ‰»‚³‚ê‚悤‚Æ‚·‚éŠá‚Ì”wŒã‚Ì•—Œi

ÝŒÉ‚ ‚è

1991

ƒUEƒTƒCƒŒƒ“ƒgEƒpƒbƒVƒ‡ƒ“

“ú–{‚̏—«ƒA[ƒeƒBƒXƒg

“È–ØŒ§—§”üpŠÙ

(Šé‰æEƒeƒLƒXƒg)@

ŽR–{˜aOF•‚—V‚·‚é_˜b

1992

‘æ3‰ñ“Œ‹žƒA[ƒgƒGƒLƒXƒ|1992

“Œ‹žƒA[ƒgƒGƒLƒXƒ|‰^‰cˆÏˆõ‰ï

ƒRƒoƒ„ƒV‰æ˜Lƒu[ƒX“à

1992

‚’ÔüŠG“W

ƒRƒoƒ„ƒV‰æ˜L

ÝŒÉ‚ ‚è

2000

Daejeon Media Art 2000

Daejeon Municipal Museum of  Art

(ƒLƒ…ƒŒƒ^[) Bank Jung-goo

ÝŒÉ‚ ‚è

2003

KIAF 2003

KlAF

ƒMƒƒƒ‰ƒŠ[21+—tƒu[ƒX“à

2003

Œp‘±‚·‚éˆÓŽu\Vol.2

ƒMƒƒƒ‰ƒŠ[21+—t

(ƒeƒLƒXƒg)

‹ß“¡K•vFŒÂ“WƒJƒ^ƒƒO

2004

KIAF (“ú–{“Á•Ê“W)

KlAF

i‘Ilj–{]–M•v@ŽO“c°•v@Œš”©“N

2005

”Mü•ˆE2005

ƒMƒƒƒ‰ƒŠ[‚Ȃ‚©

ŒÂ“WƒJƒ^ƒƒO



y‹LŽ–A”á•]‚Ȃǁz

”­s”N

Š§s•¨

ƒ^ƒCƒgƒ‹

ƒ‰ƒCƒ^[

1986

ƒGƒ‹EƒWƒƒƒ|ƒ“

ARTƒR[ƒi[@@

LOST VISION ŒÂ“WÐ‰î

•ÒW•”

1986

”ʼnæåYp@52

”ʼnæ”b’ʐM :‰e‹¿‚ðŽó‚¯‚½ì‰Æ’B

–{l

1988

“ú–{ŒoÏV•·ŽÐ

ƒCƒ[ƒW‹CÛŠÏ‘ª 1988.4

’â‘Ø‚©‚ç“WŠJ‚Ö      @”üpE1987”N‚Ì‘Š‡

ç—t¬•v

1988

–ˆ“úV•·

—ÕŠEŒ|pE88”N‚̈ʑŠ“W‚h@

V‚µ‚¢•Ï“®‚ð–͍õ‚·‚é‚Tl

ŽO“c°•vF‘Š‡•]

1988

‚Ò‚ 

pia news network

ŽO”N‚Ô‚è‚Ì—ÕŠEŒ|p“W‚ÍŒ´‰“IƒCƒ[ƒW‚ª‘䓪

•ÒW•” : ‘Š‡

1989

New Art Examiner, Summer

New Art Examiner,Summer

Janet Koplos

1989

‚Ý‚¸‚ï/ ”üpo”ŎЁ@

Image •@Process@

–{l

1990,1,3

  ’†š V•·

FŽž‘ã‚Æ‹ê”Y‚»‚µ‚Ä‘n‘¢@21¢‹I’S‚¤ŠøŽè’B@

FŒ»‘ã‚̐_˜b•`‚«o‚·

“웸G

—ѐŽj

1990

Art in America,Dec. 

Review

Janet Koplos

1991,8,6

–ˆ“úV•·@@

ƒUEƒTƒCƒŒƒ“ƒgEƒpƒbƒVƒ‡ƒ““W

—«ì‰ÆŽµl‚É‚æ‚é”üp‚̍¡“ú«‚̏W–ñ@

ŽO“c°•vF‘Š‡•]







’˜ìŒ –@‚É‚æ‚è‰æ‘œA‚¨‚æ‚Ñ•¶Œ£‚·‚ׂĂ̕¡»A–³’f“]Ú‚ðŒÅ‚­‚¨’f‚肵‚Ü‚·B

©@MIE TAKATSU





HOME

inserted by FC2 system